Datta, Michael Madhusudan,
Born January 25, 1824, Sagardari, Bengal -- died June 29, 1873, Calcutta. Poet
and dramatist of modern Bengali literature.
Michael Madhusudan Dutt, or simply Madhusudan Datta as he was known before
his conversion to Christianity, was the son of a successful Calcutta lawyer.
He is important for his contributions to Bengali poetry. Madhusudan experimented
ceaselessly with diction and verse forms, and it was he who introduced amitrakshara,
a form of blank verse with varied caesuras, and many other original lyric
styles. Madhusudan opened a new era in Bengali poetry.
The life of Madhusudan Datta was a turbulent one. He faced poverty,
maltreatment and misunderstanding. Although he was a genius of a high
order, he was an erratic
personality. Madhusudan is a typical example of one of Bengals intellectual
elite caught between tradition and modernity. His early conversion to Christianity
is indicative of his cross-cultural condition in life.
Madhusudans early schooling was in Bengali and Persian. In 1837 he entered
Hindu College where most of his education was in English. He remained at Hindu
College until age 19 when he converted to Christianity in spite of the stiffest
opposition from family, friends and community. Madhusudan was one of the most
brilliant students of his class and perhaps the best English scholar of his
college. At first Madhusudans literary career was directed towards English
literature. Later he wrote in Bengali. In 1848 he moved to Madras where he
worked as an English teacher. There he published his best and longest poem
in English, The Captive Ladie along with other English works. The reception
of his English writing was lukewarm.
In 1856 after the death of his father he returned to Calcutta where he began
to write Bengali poetry. He remained in Calcutta until 1862 where he married
a European woman, Henrietta and moved to Europe to prepare for the Bar. When
he returned to Calcutta in 1866 he became a lawyer.
His principal Bengali works, written mostly between 1858 and 1862, include
a number of dramas written in prose, long narrative poems, and many lyrics.
His most important prose drama, Sarmishtha (1858), is based on an episode in
Sanskrit from the Mahabharata. It was well received. His poetical works include
the Tilottama-sambhava (1860), a narrative poem on the story of Sunda and Upasunda;
the Meghanada-vadha (1861), an epic on the Ramayana theme; Vrajangana (1861),
a cycle of lyrics on the Radha-Krishna theme; and Birangana (1862), a set of
21 epistolary poems on the model of Ovid's Heroides. Though he was a Christian
and deeply versed in English literature he never severed his link with Bengali.
In particular his poetic genius continued to be deeply impressed by the Radha-Krishna
Shukavak N. Dasa
Sen, Sukumar. (1971). History of Bengali Literature. New Delhi: Sahitya Akademi.
Majumdar, R. C. (1978). History of Modern Bengal, 1765 to 1905. Calcutta: G.
Bharadwaj and Company.
Copyright ©2002 Sanskrit
Religions Institute. All Rights Reserved.